pInK
10-28-2005, 08:50 PM
I started out trying to put those good ole white Certs-sized discs in my ears. They fell out right away, but when forcibly held up to my head, seemed to sound awright. That "white earbud" cachet disappears when you're walking around with fingers jammed into your head. Looks pretty moronic, actually.
Next came a long, expensive affair with the Shure E2Cs, during which I tried all kinds of different tips, even buying them special extra soft ends in an effort to make it all good. I wanted so much to love them. I tried so hard. In the end they proved too finicky, requiring constant ear-pulling and prodding for optimum clarity and bass. (I still have them safely wound up in their hard shell case, thinking that someday my ears may change and they can be enjoyed to their fullest.)
The usual "what kind of music do you like" decisionmaking method doesn't help when there's bossa nova, Finnish heavy metal, hip hop, house, bluegrass, grunge and jazz all on one iPod. Those don't seem to have any EQ settings in common. All I know is that when I get into a car, I turn the midrange down and the bass and treble up. I like an extremely wide frequency response range and high S/N ratio.
I can describe my ideal sound best in terms of car audio components. The best, most earth-shaking, pin-drop clear sound I've ever heard came from a car equipped with an Alpine head unit, Precision Power amp, gold-tipped Monster cables, and about 16 MB Quart and Pioneer tweeters, midrange and woofers spread around with some very conservative subwoofing going on. It placed in SPL contests, and your stomach felt the punch when the drums kicked in, but wasn't muddy or overpowering in the least. You could hear every cymbal, violin and singer's breath. Full-bodied voices like Andrea Bocelli rang out strongly, while Mariah Carey sounded crystalline. I have no idea how that translates into conventional sound engineering terminology. :)
Desperate for quick, easy, good music, I remembered some old black foldable Sonys that had been lying around abandoned since the Nomad days. They looked incongruous plugged into a pink mini, but sounded pretty good for something out of a dusty drawer. Fast as fast can be, they snapped right onto my head and lay lightly outside each ear canal. Decent bass, sharp high end, but when a group of dudes started gabbing in the lunchroom, it took deafening volume to drown them out.
Time to reassess. I needed isolation, clear highs, snappy but strong bass, small tips and reasonably fast installation. Based on what I read here, I decided to try some Sony EX71s. They're coming in a few weeks. I hope this will be the end of my search for the perfect earphone!
If not, guess I'll have to just hope that Alpine comes out with some. :)
Next came a long, expensive affair with the Shure E2Cs, during which I tried all kinds of different tips, even buying them special extra soft ends in an effort to make it all good. I wanted so much to love them. I tried so hard. In the end they proved too finicky, requiring constant ear-pulling and prodding for optimum clarity and bass. (I still have them safely wound up in their hard shell case, thinking that someday my ears may change and they can be enjoyed to their fullest.)
The usual "what kind of music do you like" decisionmaking method doesn't help when there's bossa nova, Finnish heavy metal, hip hop, house, bluegrass, grunge and jazz all on one iPod. Those don't seem to have any EQ settings in common. All I know is that when I get into a car, I turn the midrange down and the bass and treble up. I like an extremely wide frequency response range and high S/N ratio.
I can describe my ideal sound best in terms of car audio components. The best, most earth-shaking, pin-drop clear sound I've ever heard came from a car equipped with an Alpine head unit, Precision Power amp, gold-tipped Monster cables, and about 16 MB Quart and Pioneer tweeters, midrange and woofers spread around with some very conservative subwoofing going on. It placed in SPL contests, and your stomach felt the punch when the drums kicked in, but wasn't muddy or overpowering in the least. You could hear every cymbal, violin and singer's breath. Full-bodied voices like Andrea Bocelli rang out strongly, while Mariah Carey sounded crystalline. I have no idea how that translates into conventional sound engineering terminology. :)
Desperate for quick, easy, good music, I remembered some old black foldable Sonys that had been lying around abandoned since the Nomad days. They looked incongruous plugged into a pink mini, but sounded pretty good for something out of a dusty drawer. Fast as fast can be, they snapped right onto my head and lay lightly outside each ear canal. Decent bass, sharp high end, but when a group of dudes started gabbing in the lunchroom, it took deafening volume to drown them out.
Time to reassess. I needed isolation, clear highs, snappy but strong bass, small tips and reasonably fast installation. Based on what I read here, I decided to try some Sony EX71s. They're coming in a few weeks. I hope this will be the end of my search for the perfect earphone!
If not, guess I'll have to just hope that Alpine comes out with some. :)